His work was featured in the inaugural Made in L.A. at the Hammer Museum and La Triennale: Intense Proximity at the Palais de Tokyo, Paris as well as in group exhibitions such as Adventures of the Black Square: Abstract Art and Society 1915-2015, at Whitechapel Gallery, London; Film as Sculpture at Wiels Contemporary Art Centre, Brussels; and the 4th Marrakech Biennial, Higher Atlas. Webinar Recording. In a 2018 review, The New Yorker described Takenaga as an abstractionist with a mystics interest in how the ecstatic can emerge from the laborious.. John C. Welchman Keltie Ferris currently lives and works in Brooklyn, New York. Webinar Recording. In 2018, he received the Artadia Award, Working Art Program at MOCA GA and the Kennedy Family Artist in Residence program at USF School of Art and Art History, Spring of 22. Lyrical strophes of text and densely-composed imagery produce objects of perpetual flux, indexed by accumulating layers which that normative symbolic and semiotic hierarchies. Room 410, 808 Commonwealth Avenue. Jibade-Khalil Huffman is an artist working fluidly across poetry, video, photography, and installation. In 2021 she joined the faculty at Cornell University in the College of Architecture, Art and Planning (AAP). This retrospective mode prompts questions about individual artistic style and how we value and perceive art through the lens of authorship. Jacob Sleeper Auditorium, 871 Commonwealth Ave. Lucy Kim He is the Design Director at the non-profit organization, Civic Nation, which focuses on developing initiatives that activate communities and promote social change. Tuesday, January 24, 7:30pm She is a recipient of the Robert Rauschenberg Foundation Fellowship Residency. Tuesday, September 27, 7:30pm Tala Madani. The artist is best known for portraits of mens disembodied heads, images that are precariously positioned between the humorous, violent, and vulnerable. He was an artist in residence at the Marie Walsh Sharpe Art Foundation in Brooklyn, NY and has taught at Yale School of Art, Vassar College, Columbia University, and SUNY Purchase. He was an artist in residence at the Marie Walsh Sharpe Art Foundation in Brooklyn, NY and has taught at Yale School of Art, Vassar College, Columbia University, and SUNY Purchase. 2018, Glass Beads, Cotton, 14 x 16. Graydon has been artist in residence at the MacDowell Colony, New Hampshire; NKD Norwegian Artists Center, Norway; and the Center for Computer Music, Brooklyn College. Her work rejects formal or thematic coherencewithin the picture plane or throughout the artists oeuvreand therefore resists the labeling of a style. Crush Curatorial (New York, NY), Dio Horia (Mykonos, Greece), Kate Werble Gallery (New York, NY), and 11R (New York, NY). His work has been reviewed by Roxane Gay, Art Forum, The New York Times, Hyperallergic, The Huffington Post, TimeOut, Modern Painters, Maake Magazine, Two Coats of Paint and AEQAI. Chandler is a Visiting Assistant Professor at SUNY Purchase. Harvey is the co-founder of The Fall River Museum of Contemporary Art, Fall Rivers first contemporary art museum. Currently, Awais work can be seen at the Museum of Contemporary Art Denver in the group exhibition. He is a Professor of Painting at the Maryland Institute College of Art. Hosted by the MFA programs in Painting, Sculpture, and Graphic Design at Boston University, the Tuesday Night Lecture Series brings practicing artists and curators to Boston University to present their work. She has had solo exhibitions at the Studio Museum in Harlem, NY; Marinaro, NY; Jack Tilton, NY; and the Santa Monica Museum of Art, California. He has had 6 solo exhibitions at Zrcher Gallery, New York and 3 solo exhibitions at Galerie Zrcher, Paris. The artist has performed and exhibited at the Renaissance Society, Chicago; the Wysing Arts Centre, London; Temple Contemporary, Philadelphia; The Whitney Museum of American Art, New York; the Brooklyn Museum, Brooklyn; Sculpture Center, Long Island City; and the List Center for the Visual Arts at MIT in Cambridge. Hsu has served as a board member of White Columns, New York, and the Skowhegan School of Painting and Sculpture. She has made solo exhibitions at Secession, Vienna, SculptureCenter, New York, MAK Center for Art and Architecture, Los Angeles, Govett-Brewster Art Gallery, New Plymouth, Monash University Museum of Art, Melbourne among others. She has also been included in group exhibitions at Scupture Center in New York, and Tate Britain in London. Taking a feminist approach, Mira Dancy makes powerful, expressive works centered on the female nude. Melissa Levin is a values-driven arts administrator, artist-centered curator, and steadfast advocate for just and equitable practices in the arts. Most recently his paintings have been still lifes of oranges, drawing on traditions from Baroque Spanish and Dutch painting, Seurats Pointillism, and Belgian Surrealism. Gibson works with the visual language of comics and cartoons to wrestle with difficult historical and social issues. September 17, 7:30 pm Tuesday, December 1, 7:30 pm EST Self received her MFA from Yale University and a BA from Bard College. from the University of Minnesota in 1978. He has had recent solo exhibitions at Galerie Eric Mouchet (Paris, France), MOCA Tucson (Tucson, AZ), Mrs. (Maspeth, NY), Union Gallery (London, England), and Andrew Rafacz (Chicago, IL). Recent group exhibitions include Choi and Lager (Cologne, Germany), Nathalie Karg (New York, NY), Marinaro Gallery, (New York, NY),Crush Curatorial (New York, NY), Dio Horia (Mykonos, Greece), Kate Werble Gallery (New York, NY), and 11R (New York, NY). His work has been reviewed by Roxane Gay, Art Forum, The New York Times, Hyperallergic, The Huffington Post, TimeOut, Modern Painters, Maake Magazine, Two Coats of Paint and AEQAI. Chandler is a Visiting Assistant Professor at SUNY Purchase. DeVille undertakes intensive preparatory research and acts as an archaeologist, collecting and reallocating found materials to give physical presence to unspoken stories and forgotten pasts. Jackson earned a BFA from The Cooper Union, an MS from the MIT School of Architecture and Planning, and an MFA from Yale School of Art. Keyah II, 2018, Glass Beads, Cotton, 14 x 16. Utilizing abstract compositional constructions and modest sculptural materials, such as concrete blocks, folding chairs, and cereal boxes, the works bear witness to the condition of the inevitable. Acrylic, canvas, wood and steel, 83 x 78 in. Alongside his career as a visual artist, Halley has written a number of essays on art theory. Tammy Nguyen is a multimedia artist working with geopolitics, fiction, and lesser-known histories. She has participated in a number of group exhibitions including Sheherezades Gift at the Center for Book Arts, NYC, Premio Terna 02 at the MAXXI Museum, Rome, IT, the Bosch Young Talent Show at The Stedelijk Museum, Den Bosch, The Netherlands, No Longer, Not Yet, curated by Sean McCarthy, at Essex Flowers, NYC and Good Pictures, curated by Austin Lee, at Deitch Projects, NYC. Working in film, photography, and intaglio printing, Jennifer Bornstein creates representations of ordinary people engaged in the quotidian. She gained recognition in the 2000s, as critics have placed her among artists renewing abstraction with paintings that emphasized visual beauty and excess, meticulous technique, and optical effects. She is currently Associate Professor of Studio Art at Wellesley College. Jacob Sleeper Auditorium, 871 Commonwealth Ave. Daniela Rivera Born in Mexico City and currently based in New York, Aliza Nisenbaums paintings are intimate exchanges between herself and her subjects. Room 346, 808Commonwealth Ave. Her work has been presented in exhibitions at the Contemporary Arts Museum Houston, the Brooklyn Museum, the Indianapolis Museum of Contemporary Art, the Kitchen in New York, Saatchi Gallery in London, and the Academy of Arts and Letters in New York, to name a few. Interweaving memory, autobiography and history, her work utilizes painting, collage and installation to explore transformative girlhood experiences as they intersect with the complexities of Black identity. Dakota Mace is a Din (Navajo) photographer and textile artist who focuses on translating the language of Din weaving history and beliefs through alternative photography methods, weaving, beadwork, and papermaking. One-person exhibitions includeThe Space Between Paintings, Carillon Gallery, Fort Worth, TX; HIT OR MISS, James Harris Gallery, Seattle, WA; Sorry Were Closed, Brussels; Bellwether Gallery, New York, NY; Inman Gallery; and Kantor/Feuer Gallery, Los Angeles, CA. Performance view, Intermittent Rivers, 13th Havana Biennial, Matanzas, Cuba, 2019. In her ongoing series of body prints, Ferris uses her own body like a brush, covering it with natural oils and pigments and pressing it against a canvas, to literalize the relationship of the artists identity to the work that she produces. Clouds works and writing have been featured in the New York Times, Art in America, Art Review and in the painting survey Painting Abstraction by Bob Nickas, published by Phaidon Press. The series is an integral component of the MFA programs in Painting, Sculpture, and Graphic Design which provide two years of intensive studio practice and artistic community in the heart of Boston Universitys urban campus. Halley has been the subject of numerous solo exhibitions, at sites including the Contemporary Art Center New Orleans; the Stedelijk Museum, Amsterdam; the Dallas Museum of Art; the Museum of Modern Art in New York; Museum Folkwang in Essen, Germany; the Sanata Barbara Museum of Art; Kunsthalle Schirn in Frankfurt, Germany; and has been featured in numerous group exhibitions nationally and internationally. In Smiths large-scale, mixed media works, humor and a dark probing of social issues are filtered through her personal mythology. An advocate of emerging artists and a scholar of the twentieth-century avant-garde, he has curated and collaborated on numerous exhibition projects at institutions internationally. Tomashi Jacksons practice combines painting, textile, sculpture, video, and collage. Anthony Romero is a Boston-based artist, writer, and organizer committed to documenting and supporting artists and communities of color. He writes regularly on modern and contemporary art and critical theory. Sometimes she glues strips of fabric on to the canvas, allowing them to be a constructed element or ripping them off to establish a drawn line through the paint. Nick taught painting at Massachusetts College of Art and Design for twenty-five years. Her research explores relationships among physiological, technological, and ecological systems and human movement, our machines, and the places we inhabit. Gallery, Providence, RI. New Low (Rampart). Gallery, Providence, RI. Yevgeniya is a recipient of the Guggenheim Fellowship in 2019, the Pollock-Krasner grant and the Chinati Foundation Residency in 2018, and the Yaddo Residency in 2017. Lucy Kim is an Assistant Professor of Painting at Boston University. She received her BFA from Rhode Island School of Design and her MFA from the Yale School of Art. Often lushly decorated with patterened textiles, her canvases demand close looking in keeping with her personal connections to her subjects. He paints them as two distinct kinds: his see-through, red line drawing seekers are bawdy and sexual, while his more fleshly seekers are agents of chaos and often pictured harming themselves. Her approach to abstraction often emphasizes a collision of natural form and machinery parts. Tuesday, February 11, 7:30 pm Portraiture is a central concern of Lockes paintings, which deconstruct the codes of masculine desire, intimacy, and violence. His work may be found in public collections including the Metropolitan Museum of Art, Whitney Museum of American Art, Museum of Fine Arts, Boston, Museum of Fine Arts, Houston, Art Institute of Chicago, and Yale University Art Gallery. Tuesday, November 27, 7:30 pm Photo by Karley Sullivan. Meksin has created site-specific installations for The deCordova Sculpture Park and Museum, Lincoln, MA (2019-20), CLEARSKY, NYC (2021), The Brooklyn Academy of Music (2018-19), National Academy of Design, NYC (2018), The Uptown Triennial at The Lenfest Center for the Arts (2017), Utah Museum of Contemporary Art (2016), The Kitchen, NYC (2015), BRIC Media Arts, Brooklyn (2015), Regina Rex, Brooklyn (2014, 2010), Brandeis University (2014), the former Donnell branch of the New York Public Library (2011), and in a National Endowment for the Arts funded project in New Haven, CT for Artspace (2012). He is editor of Rethinking Borders (1996), Institutional Critique and After (2006), The Aesthetics of Risk (2008), Black Sphinx: On the Comedic in Modern Art (2010) and writings by Mike Kelley: Foul Perfection: Essays and Criticism (2003); Minor Histories (2004); Mike Kelley: Interviews, Conversations, and Chit-Chat, 1988-2004 (2005). In 2018, he received the Artadia Award, Working Art Program at MOCA GA and the Kennedy Family Artist in Residence program at USF School of Art and Art History, Spring of 22. Seekers, says Niles, are more impulsive, chasing whatever they think will make them happy in that moment, with no fear of consequence, while the human subjects are more vulnerable and open with their feelings. But all of these different characters are just trying to figure out how to feel good, how to get through the day; and, of course, theyre all interconnected and a part of one another. Frank Jackson Awai is represented by Barbara Davis Gallery in Houston, TX. Hed never drawn anything like it before (Niless other major influences are Caravaggio and Rembrandt), but it was from these drawings that he developed a set of characters he now calls seekers: the magical beings that roam his otherwise realist paintings and surprise those who notice them. He is the editor of three collections of writings by the artist Mike Kelley, and the co-editor of Black Sphinx: On the Comedic in Modern Art. She is a founding member of the collaborative kijidome, and is currently Lecturer in Fine Arts at Brandeis University. Her work is included in the collection of the Kadist Foundation in Paris, amongst others. Halley helped define the Neo-Geo movement, developing themes meant to critique the utopian vision of avant-garde idealists and the narratives produced by various cultural authorities. Dell is also one of the three recipients of the ICA/Bostons 2021 Foster Prize, and her 2018 curatorial project. Tuesday, October 27,7:30 pm EDT. Meena Hasan is represented by LAUNCH F18 in Tribeca, NYC and lives and works in Brooklyn, NY. Additional solo exhibitions includeReal Art Ways (Hartford, CT), Knockdown Center (Queens, NY), Make Room (Los Angeles, CA), and Rubber Factory (New York, NY); with solo exhibitions forthcoming at No Place Gallery (Columbus, Ohio) and Night Gallery (Los Angeles, CA).Ouyangs work has been included in group exhibitions at SculptureCenter, Queens, US; Nicodim, Los Angeles, US; Franois Ghebaly, Los Angeles, US; BRIC, Brooklyn, US, and many more.Ouyangreceived an MFA from Yale University in 2019 and is represented by Lyles & King, New York, and Make Room, Los Angeles. Her intricately patterned and detailed paintings, often created on mulberry paper or wood panel, combine influences from both Eastern and Western decorative and folk arts, and range in subject from sports imagery to more traditional subjects such as memento mori and portraits of friends. , 2019. Bornstein received an M.F.A. Tuesday, December 5, 7:30 pm He has had recent solo exhibitions at Galerie Eric Mouchet (Paris, France), MOCA Tucson (Tucson, AZ), Mrs. (Maspeth, NY). Room 346, 808 Commonwealth Avenue Room 346, 808 Commonwealth Avenue Recent projects include Three Deliberate Grays for Freddie (A Memorial for Freddie Gray), an outdoor installation at the Isabella Stewart Gardner Museum; Love Letter to a Library, an interdisciplinary, text-based work at numerous libraries throughout Boston; and a large-scale sculptural monument to victims of the Atantic slave trade at Bostons Faneuil Hall, currently in the proposal stage. Yevgeniya has a BA and MS from the University of Pennsylvania (2003) and an MFA in Painting and Drawing from the School of the Art Institute of Chicago (2007). exhibition, organized for the 2019 Havana Biennial, by Afro-Cuban artist Maria Magdalena Campos-Pons. His recent work examines how reclaimed objects, makeshift monuments and images reveal a life parallel to conflict, demonstrating both factual evidence and where traces of fiction emerge. And the Sun Went Down, 2021. She received her BFA from the Rhode Island School of Design in 2001 and her MFA from the Yale School of Art in 2007. Lydia Dona was born in Bucharest, Romania. Room 346, 808 Commonwealth Avenue While an undergraduate at Boston University, Cerletty developed the ability to carefully paint the figure in the academic, representational mode. She was recently in a three-person exhibition at Nir Altman, Munich, Germany, in February 2021 and has been featured in group exhibitions at Motel, Brooklyn, NY; Fall River Museum of Contemporary Art, Fall River, MA; Kunsthalle Wichita, Wichita, KS; Alyssa Davis Gallery, NY, Kristen Lorello Gallery, New York, NY and Safe Gallery, East Hampton, NY., 7:30 9 pm EDT from the University of California, Berkeley, and participated in the Whitney Museums Independent Study Program. Tuesday, April 11, 7:30pm In Joy, still (201819), a commission for Grace Farms Foundation in New Canaan, Connecticut, Swartz created a sixteen-channel soundscape, activating the River building to become an acoustic instrument. Smith is the recipient of numerous awards and residencies including: MacDowell, Bemis and Yaddo; LMCC Process Space Residency, a Pollock-Krasner Grant, the Skowhegan School of Painting and Sculpture Fellowship, the Virginia A. Myers Fellowship at the University of Iowa and the Fine Arts Work Center Fellowship. Alexandria Smith She was also a participating artist for the Intermittent Rivers exhibition, organized for the 2019 Havana Biennial, by Afro-Cuban artist Maria Magdalena Campos-Pons. Through the language of abstraction, Jackson addresses the question of what constitutes a landscape by describing certain sites as an emotional and intellectual state created by memory as much as a physical place to be experienced. Chie Fueki is a Japanese American painter. Niles comes from Washington DC and graduated from New Yorks Academy of Art in 2015. Vietnam, Reagan, protests, sex, drugs, and the American dream clash in paintings rendered in screaming Day-Glo colors. Meena has been a Part-Time Lecturer in Painting at Rutgers University Newark, Visiting Assistant Professor in Painting at Pratt Institutes Painting MFA program,Lecturer in Painting at the School of Visual Arts at Boston Universitys College of Fine Artsand Teaching Artist with Studio in a School, NYC. Recording. Tuesday, September 20, 7:30pm has exhibited her work in several New York City galleries and internationally. Recent projects and performances have been featured at The Bemis Center for Contemporary Arts (Omaha), the Blue Star Contemporary (San Antonio), The Institute of Contemporary Art (Boston) and the Mountain Standard Time Performative Art Biennial (Calgary, Canada). Room 346, 808Commonwealth Ave. Yevgeniya co-founded and co-curated Regina Rex Gallery on the Lower East Side of NY (2010-2018). Her work can be found in collections including the Art Institute of Chicago, the Brooklyn Museum, the ICA Boston, the Perez Art Museum in Miami, the Philadelphia Museum of Art, and the Oiakothek de Moderne in Munich, Germany, among others. Using text as a platform for expressive embellishment, each canvas reveals a word or phrase within its sumptuous, intensely colored surface; simple statements such as Believe, Beyond, or Paint become esoteric starting points for the physical negotiation of painting. Allison Katz is a painter who investigates and pushes the conventions and history of Western painting. She has also worked with numerous institutions and programs to develop dialogue and workshops on the importance of cultural appropriation concerning Indigenous design work., Din (Navajo) weaving is more than technique and craftsmanship; it is a connection to the Din concept of Hozh (balance) within nature. Recipient of Anonymous Was a Woman Award, grants from FONCA (Fondo Nacional para la Cultura y las Artes) Mexico and Honorary Fellow of the Latin American, Caribbean and Iberian Studies LACIS, UW Madison. 5:30-7pm EDT His books include Modernism Relocated (Allen & Unwin, 1995), Invisible Colours: A Visual History of Titles (Yale UP, 1997), Art After Appropriation (Routledge, 2001), Catching Mayhem by its Tale [vol. Two of her double-sided paintings were featured in the 2014 Whitney Biennial. Harris research on twentieth-century African-American graphic designers has grown into a touring exhibition, with its next stop here at Boston University. Peter Halley Can You Hear Me (2004), an auditory and optical periscope commissioned by the New Museum, enabled conversations across physical and social boundaries. exhibition piloted by the International Print Center New York. Starting in 2016, with collaborator Alex Fialho, Melissa has stewarded the legacy of, and curated critically acclaimed exhibitions dedicated to the late artist Michael Richards, including. Tuesday, October 4, 7:30pm George Nick Unlike the women who appear in paintings throughout art history, her nudes are imbued with a sense of strength and self-possession, in addition to a knowingly exaggerated sex appeal. Room 303, 808Commonwealth Ave. Publications include The Social Practice That Is Race, coauthored with Dan S. Wang, and the exhibition catalogue Organize Your Own: The Politics and Poetics of Self-Determination Movements, of which he was the editor.
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